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JENNY HOBBS is a novelist and freelance journalist who lives in Johannesburg, South Africa.  She reviewed books for many years and has also written for radio and worked on TV book programmes as compiler, organiser, presenter and interviewer.

 She was born in Durban, schooled in Durban and Pietermaritzburg, did a Bachelor of Arts majoring in English and Geography at the University of Natal (PMB) and worked as a supply teacher in London for some years before settling on a smallholding near Johannesburg with her family.  Her work has been published in most South African newspapers and magazines.  For seven years it included the first regular column in South African English starring Blossom Broadbeam, the subject of her first book Darling Blossom (Don Nelson, 1979).
From 1978 to 1982 she was Features Editor on Thandi magazine,
then part of Bona, and her experiences during those years led to her second book, an illustrated first aid manual in basic English called First Aid for the Family(Southern Book Publishers, in association with the South African Red Cross, 1987).
    Jenny’s short stories have been published in Contrast, New South African Writing, various anthologies of South African writing and overseas, and broadcast by the SABC and the BBC, though – somewhat belatedly – she now concentrates on full-length fiction. She is the author of three successful adult novels, a novel for teenagers and a collection of quotes about writers and writing.  For more information about her published books, click here.
    Helping to promote a reading culture in South Africa is one of Jenny's main concerns.  She is currently involved in several initiatives to establish writers’ and reading groups, and gives regular talks to schools.
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Looking back.... 
Part of a speech never given

My life’s journey began in Durban: on the day of the Hindenburg airship disaster and during the week of King George VI’s coronation.  I am as old as the Republic of Eire, the jet engine and the Golden Gate Bridge in San Francisco and (to quote Xameb the Bushman in R O Pearse’s Barrier of Spears), ‘As young as my naughtiest thought.’

 In the Forties I remember ominous searchlights in the Durban night sky, the tinny smell of blackout curtains and the pale, wounded soldiers and sailors who convalesced on our veranda before being sent back to the hell of war.  I remember asking my mother, during a winter evening walk, why the sunset was so red and being told it was caused by a terrible new bomb that had been dropped on Japan.  I remember the baffled fury in Natal when the Nats got into power in 1948 and my first hit song: I’m Looking Over a Four-Leaf Clover.

In the Fifties I remember doing the London jive, snogging with boys in blazers and the almost-adult thrill of going to university.  After graduation I sailed away from Durban harbour on the Carnarvon Castle to work and travel in Europe, wearing gloves and a hat – though I didn’t get far.  I came home after a year and a half to marry my varsity boyfriend and start having babies.  Almost smothered under a welter of nappies and baby talk, happy but isolated on a smallholding outside Joburg, I began writing short stories as the Sixties wore on.

 It was only then, after the overwhelming shame of Sharpeville, that my political journey began.  Our former neighbour, chairman of the Liberal Party, was detained in jail for months without being charged.  My father-in-law, an honest and decent man, was elbowed out of the police force after 35 years’ service because he had an English surname.  I read Alan Paton, Nadine Gordimer and Doris Lessing and wrote between messy meals and noisy bathtimes. 

 In the Seventies our children were growing up and my writing focus shifted to freelance journalism, working from home.  In that decade I remember Soweto exploding and still have the sad farewell letter from the headmaster of a farm school which I managed and had tried to help by organising a new classroom – a piece of well-meant meddling that resulted in a successful petition by surrounding plot-owners to have the school closed.  It was attracting too many black children who stole their peaches, they said.  Dr Piet Koornhof, then Minister of Education, said he was sorry but he had to comply with the wishes of the voters.

 It was a salutary introduction to the turbulent Eighties, when I became features editor on Thandi magazine and for the first time visited townships and learned just how easy my life had been, compared with the desperate struggles of black women.  Our student daughters had to cope with hazards we had never dreamed of: freely available dagga and drugs, dogmatic Marxism, violent student protests and police raids.  Some of their friends and friends’ parents were jailed.  Too many went overseas and never came back.

 I had written hundreds of short stories and features and half-heartedly begun at least three novels, when a single devastating event turned me into an author.  In December 1985, the masked gunmen of a South African hit squad killed seven ANC activists in Maseru, and the bodies of Jackie Quin and Leon Meyer appeared on the front page of the Sunday Times in the most heart-wrenching photograph I had ever seen.  It could so easily have been one of our own daughters lying there.  Three weeks later, unable to get their tragedy out of my mind, I started to write my first published novel
 

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